THERE WAS NEVER ANY DOUBT SUICIDE SQUAD WAS GOING TO OWN THE BOX OFFICE THIS WEEKEND DESPITE POOR REVIEWS. NOW THE QUESTION IS HOW FAR WILL THIS GRAVY TRAIN RUN?
There was never any doubt that DC/Warner Bros. Suicide Squad was going to open huge. After weeks of tracking and speculative monitoring, there was no question it was going to open number one this weekend, laying waste to every record in its path and forcing every other movie on the planet to scramble in it’s colossal wake. So Suicide Squad’s record-breaking success came as absolutely no surprise to anyone anywhere.
MATT DAMON IS BACK AND JASON BOUNE RETURNS TO FIND SOME ANSWERS
The world has changed a great deal since moviegoers first met Jason Bourne 14 years ago. Threats have become more insidious while espionage and fanaticism alike have moved increasingly deeper into cyberspace. The world’s most powerful nations have proven too slow in adapting their tactics and the conversation about the balance between personal freedom and the importance of public safety has become more complex and polarizing. Countries now find themselves justifying actions that would have appalled them years ago, all in the name of national security.
It’s this narrative that the most recent Bourne adventure, Jason Bourne, wades into. And no one can accuse the movies of not adapting to a changing global landscape.
Take a deep breath. Do you smell that? It’s summer movie season, Christmas time for movie fans and buffs. Four months of tent-pole releases, franchise films and blockbusters from every genre. We’re already a few weeks into this year’s summer buffet of movie goodness, and one of the titles on this list has already broken the box office, but these are the ten films I’m looking forward to the most this summer. I spoke about a few of them with Dr. Ted on his podcast a few weeks ago (check it out here) but we ran out of time to touch on all of them. So without further adieu . . .
Suicide Squad (August 5): Of all the movies on this list, this is the one that makes me the most nervous. I wasn’t a fan of the Suicide Squad comics (never read a single one, in fact) and after the sour taste that Batman Vs. Superman left in my mouth, my confidence in Warner Bros./DC is more then a little shaken. The fact that after the success of Deadpool (or more importantly the comedy in Deadpool), Warner Bros. ordered extensive reshoots for Suicide Squad to make it “lighter” isn’t exactly reassuring (when a movie is doing significant re-shoots six months before its release date, that’s a rarely a good sign). And honestly, is a movie about a team of super villains carrying out near impossible black ops missions in return for having their death sentences commuted the kind of film where you want a laugh a minute? But DC continues to build hype around Squad, there’s buzz that they plan to spin off Margot Robbie’s Harley Quinn into her own movie and there’s no shortage of audience anticipation to see Jared Leto’s Joker. Could this be DC’s Guardians of the Galaxy: an obscure property that hits big in the steamy days of August? After the critical and box office disappointment of Batman Vs. Superman, they need it to be.
Alice Through the Looking Glass (May 27): When Alice in Wonderland hit theatres back in 2010, my niece had just graduated to being a toddler and I was becoming a little desperate looking for strong female role models in current media. I found one in Alice. Returning a teenage Alice to a broken and bleak Neverland as she’s essentially being pimped out to some high society husband so she can spend her days as an obedient, doting wife and mother was a brilliant stroke of storytelling. Making it so she had to overcome her self-doubt as well as her amnesia about the fantastic Wonderland before she could face the evil threatening it was even better. By the end of the movie, Alice was no princess needing rescuing or a damsel in distress; she was a sword-wielding warrior saving an entire world by slaying the ancient and dreaded Jabberwocky in battle. Toss in Johnny Depp’s performance as the Mad Hatter and Tim Burton’s signature visuals and Alice in Wonderland was a solid hit. Here’s hoping the sequel, with Burton producing instead of directing, lives up to the original.
Warcraft (June 10): Based on the uber popular online game, this Universal release has a reported 160 million dollar production budget. And by the looks of it, it was all invested in the special and visual effects department. Make no mistake, I’m not expecting any brilliant storytelling (the trailers seem to have already given away the plot), but I fully expect this movie to be sold on the basis of its breath taking visuals and the scope of its world design. What other movie are you going to see this year that includes knights, sorcerers, orcs, griffins, monsters and maybe a dragon or two? What it all boils down to is this is the perfect movie to satisfy my inner geek. It should also be interesting to see how Warcaft is received by moviegoers in general; while the game is still popular it’s not the global phenomenon it once was and video game movies have a pretty bad track record in Hollywood (let alone ones that have a 160 million dollar price tag). One thing’s for sure though, the producers of next December’s Assassins Creed will be paying very close attention to Warcraft’s box office performance.
Jason Bourne (July 29): I was never really a Jason Bourne fan-never read Robert Ludlum’s books and I still haven’t seen the last two movies-and besides, how often does the fifth film in a franchise rise above mediocre on the quality scale? But Jason Bourne looks like a smart, inventive action flick, reminiscent of last summer’s Mission Impossible: Rogue Nation (my favourite action movie of 2015) and the fact that Matt Damon was lured back to the property by the script is a pretty good sign as well. It may very well be a dud, but it looks smarter and sharper then the rest of the action fare Hollywood is churning out these days.
Finding Dory (June 17): I was never really that pumped to see Finding Nemo. As much as I love Pixar, a movie about a talking fish searching for his lost son didn’t exactly captivate my imagination (I had the same feelings about Cars and Ratatouille). But when I finally sat down and watched Nemo the whole way through, I spent the entire time smiling like I was in the fifth grade again (and yes, I had similar reactions to Cars and Ratatouille when I took the time to watch and appreciate them). To this day, the mantra of the seagulls (Mine! Mine!) is one of my more favoured catch phrases (it just never gets old). So while the idea of Dory may not excite my imagination the way The Incredibles or Wall-E did, Pixar’s bar of excellence remains the highest in the animated film industry and I’ll walk into the theatre with an open mind and an inner child jumping up and down for joy.
Independence Day Resurgence (June 24): Hitting theatres almost 20 years to the day that the original Independence Day enthralled movie audiences, Independence Day Resurgence is following the same formula Star Wars: The Force Awakens did with its characters; it mixes some of the golden oldies from the original with a handful of new faces (although hardcore fans are already disappointed with Will Smith’s absence). The original Independence Day broke tonnes of new ground with its mind-blowing special effects and it looks as though the long awaited sequel is following in those same award-winning footsteps. And while I fully expect Warcraft to appeal to my inner fantasy geek, I expect the story of the human race fighting for its collective survival against a second, more pissed off wave of world conquering aliens to do the same for my inner sci-fi nerd. And while I doubt that a Mac power book will save human civilization this time around, I’m kind of hoping we’ll get to see the White House atomized again. Because let’s be honest, twenty years later that’s still everyone’s favourite scene.
4. X-Men Apocalypse (May 27): There are plenty of reasons to look forward to the next installment in the X-Men film franchise. When Fox made the prudent decision to erase the reviled X-3 (and possibly the two Wolverine solo films) from continuity with 2014’s Days of Future Past, they made a lot of fans-both of the X-Men comics and movies-very, very happy. After Wolverine’s time hopping in DoFP, many of the original X-Men are back, and we get to see them during their formative teenage years during the 80’s, aka the Decade of Absurd Excess. Storytelling wise, it was a time in the character’s lives when most fans fell in love with them (the ultimate teenage outsiders fighting off one world threatening menace after another) and in real world time, the 80’s were when the X-Men exploded in popularity and became Marvel’s comic cash cow juggernaut. My anticipation for this is also equaled by my curiosity-how do they plan on weaving in that curious Wolverine cameo they’ve been teasing us with? Freed from the cumbersome storytelling baggage of the previous X-Men movies, the special effects in Age of Apocalypse look amazing, you just know Jennifer Lawrence is going to kill it in what could be her final turn as Mystique (whose run the gamut between reluctant hero to villainous sidekick and back to reluctant hero again, with a stop as a world saver in between) and Michael Fassbender’s portrayal of Magneto, skating the tragic line between salvation and villainy, is always worth the price of admission. And Olivia Munn’s Psylocke looks like she could be this movie’s Black Panther or Wonder Woman, a breakout character that steals every scene she’s in.
Star Trek Beyond (July 22): Hey, did you know that this year is the 50th anniversary of the Star Trek franchise? Did you know there’s a new movie coming out this summer to celebrate it? No? Don’t sweat it, because few people outside outside of Trek’s hardcore fan base or TV aficionados seem to. Up until last weekend, Paramount barely promoted it, dropping a handful of stills and a single trailer before this month’s fan event. You’d think that a summer tent pole release during Trek’s big 5-0 would have the studio bringing out and then breaking all the proverbial stops, but Paramount’s campaign has been the exact opposite so far. I love Star Trek. I don’t speak Klingon or own a classic Trek uniform but I’ve always enjoyed the various versions of Gene Roddenberry’s classic science fiction vision. But there are plenty of red flags about this movie already-Simon Pegg, who co-wrote it in addition to playing everyone’s favourite Scottish starship engineer, reportedly quit a number of times and had to be talked into returning by J.J. Abrahams (who remains with the franchise as a producer). Combine a possibly disgruntled Pegg with persistent rumours that the budget was slashed just before filming began and a head scratching lack of promotion and it could all add up to disaster for one of Hollywood’s greatest entertainment properties. I really hope I’m wrong, or at the very least my affection for Trek can blind me to any warts, no matter how big. Besides, Idris Elba as the big bad? That promises to make everything better.
Captain America: Civil War (May 6): This one has already dropped (you can read my review here) and it was everything I hoped it would be (which was primarily a much needed palate cleanser after the bleak, steaming mess that was Batman Vs. Superman). The third and final Captain America standalone film was everything BvS wasn’t; fun, bright, exciting, funny and it only needed two weeks to bury DC’s much maligned movie at the box office, beating both it’s domestic and international gross on its third weekend of release. It has also provided plenty of fuel for the online hate wars that have been raging over BvS since it was released last Easter. Seriously, the people who loved watching Batman and Superman beat the snot out of each other for five minutes in a two and a half hour movie need to find lives, get out of the house more and work on their blood pressure.
Ghostbusters (July 15): This movie started receiving record amounts of hate the second it was announced, most of it due to the fact that it has an all female cast. The haters don’t want to admit it but that’s what all the fuss boils down to. I love the original Ghostbusters and even the (admittedly inferior) sequel too-watch them every Halloween in fact-but unlike the Internet, I was thrilled to hear there was more on the way, female cast or no. It’s been both amusing and saddening watching the logical knots the haters have gone to trying to disguise their woman bashing. “Women can’t be Ghostbusters because the proton packs are too heavy and we all know how much realism we need in our movie about busting ghosts!” Or one of my favourites, “why can’t they leave such a classic alone?!?” Like I said guys, I love me some Ghostbusters, but this is a movie where New York was almost destroyed by a fifty story Stay Puff Marshmallow Man. This ain’t the Godfather, so calm down. Hopefully Ghostbusters is a box office success despite all the venom from the men’s rights idiots, #Gamersgaters and closet misogynists, who can then stick all those dollar bills in their collective pipes and smoke them until they run out of hate tears.